Sunday, 7 December 2025

Ko Toe Philately Celebrates LV Medal at AusVipex 2025

Myanmar Philately by Ko Toe (www.kotoephilately.blogspot.sg) has reached another proud milestone by receiving a Large Vermeil medal (83 points) at AusVipex 2025—the Australian Philatelic Federation’s National Multi-Frame exhibition held online from November to December 2025. The exhibition welcomed participants from Australia and abroad, making the achievement even more meaningful.

Exhibition Logo

Exhibition Website

After eleven years of continuous blogging and knowledge-sharing, this recognition marks the second award ever presented to the Myanmar Philately by Ko Toe website. It stands as both an endorsement of its contribution to philatelic research and an encouraging milestone in its ongoing journey to promote Burma (Myanmar) philately to a wider audience.

Thursday, 27 November 2025

A Familiar Set Returns: Myanmar Post Revives Classic Traditional-Costume Designs

 Every now and then, Myanmar Post surprises collectors with an unexpected throwback. Their latest issue does exactly that—a brand-new miniature sheet built entirely from classic stamp designs of the socialist era. For long-time collectors, these images are instantly recognisable; for newer enthusiasts, they offer a glimpse into one of the most iconic definitive series in Myanmar’s philatelic history.

Back to 1974: A Definitive Set That Became a Classic

The story begins on 1 October 1974, when the National Races in Traditional Costumes definitive stamps were introduced. The set consisted of nine denominations across eight beautifully illustrated designs, all issued under the country title “Socialist Republic of the Union of Burma.”

Each design featured a different ethnic group in traditional attire, created by some of Myanmar’s most respected artists:

  • U Than Lwin – Chin couple (15 pyas)

  • U Ba Moe – Bamar couple (20 pyas)

  • U Ko Lay – Mon lady (50 pyas)

  • U Nyo Hla – Rakhine lady (1 kyat)

These designs quickly became familiar to postal users and collectors alike. The Chin couple design was even adapted for postal stationery in 1988, marking the beginning of many future reuses.

1989: First Revival Under “Union of Burma”

Fifteen years later, these designs returned. Following the change to the country name Union of Burma, four of the original values—15, 20, 50 pyas and 1 kyat—were reissued with new inscriptions.
The 20-pyas stamp was printed again in 1995 but never officially released, adding a layer of mystery to the set.

1990–1991: Second Revival Under “Union of Myanmar”

Only a year passed before the designs resurfaced once more, now bearing the country name “Union of Myanmar.”
Between 1990 and 1991, all four denominations were reissued. The Chin couple and Mon lady designs also reappeared on a variety of postal stationery items, including envelopes of two sizes issued in 1994.

For collectors of Myanmar postal stationery, these were productive years—multiple issues, country-name changes, and small variations to hunt for.

The Designs That Flew: Aerogrammes and Essays

These traditional-costume illustrations did not stay confined to stamps. They also found their way onto aerogrammes.

  • The 20-pyas Bamar couple almost became an aerogramme imprint, but changing postal rates rendered the value unusable. Only an unadopted essay survives.

  • The 50-pyas Mon lady did make it onto an aerogramme in 1976, though it was used only briefly.

  • The Rakhine lady design was adapted into a 1.25-kyat imprint and appeared across three aerogramme varieties—with three different country names. A delightful field for specialists.

2025: A Third Rebirth—Now All at 200 Kyats

Fast forward to today. In a move no one quite expected, Myanmar Post has brought back all eight designs in a new miniature sheet, this time with each denomination standardised to 200 kyats.
The stamp sizes have been made uniform as well, giving the sheet a clean, modern structure.  This shee was issued on 20 Oct 2025.

Collectors, however, will quickly notice one thing: the printing resolution of the artwork is relatively low. It appears the original designs may not have been available in high-resolution format. Still, the nostalgic charm remains unmistakable.

Thursday, 30 October 2025

Myanmar Butterflies Sheetlets Issued on 20 September 2025

Following the re-issue of the bird sheetlets, Myanmar Post released the next set — a beautiful sheetlet featuring 11 species of butterflies of Myanmar.

Because the total number of stamps is 11, designing a balanced layout was quite a challenge. Myanmar Post adopted a 3 – 1 – 3 – 1 – 3 column arrangement, making each sheetlet the same width as a standard stamp sheet (which normally consists of 10 rows × 5 columns).


This unusual size also posed a difficulty for first day covers (FDCs). As Myanmar Post did not issue official FDCs for this release, collectors produced their own handmade covers, most of which were in larger-than-usual sizes to accommodate the sheetlets.

The stamps were officially issued on 20 September 2025. A particularly interesting aspect of this issue was the use of three distinct first-day postmarks:

  • Nay Pyi Taw CTO

  • Yangon GPO

  • Mandalay GPO


Each postmark features the image of three butterflies, adding extra appeal for thematic collectors. The total print quantity was 30,000 sheetlets.

Tuesday, 23 September 2025

Postcard Story : The Story of Balu Chaung told Through Postcards

Once upon a time, in the mountains of southern Shan State, a river called Balu Chaung tumbled down the valleys with restless force. For centuries, its waters carved rocks, fed rice fields, and carried songs of the forest. Then, in the 1950s, engineers arrived with a dream: to turn that tumbling water into light for an entire nation.

The first postcard shows Balu Chaung No. 2 Power Station, tucked at the foot of a steep, green mountainside. From the crest above, silver pipes snake down like shining ribs of a giant, carrying water with enormous force. At the base, the station waits — turbines inside ready to spin, to roar, to turn falling water into power. This was where Burma stepped into a new age of electricity.

Not far upstream, another postcard captures the intake weir. Calm waters are corralled behind concrete gates, channeled with purpose. People stand on the bridge above, looking down at the rushing flow. It is here the river is persuaded, not conquered — asked to lend its strength to the city far away.


But nature is unpredictable, and the water’s force could never be fully tamed. That is why the engineers built the surge tank and low-pressure pipeline, rising like a sentry against the blue sky. The tall cylinder absorbs shocks when the river surges, while the great pipeline stretches on, a dark artery carrying life to the station below.

Step inside, and another postcard reveals the heart of it all: the generator room. A row of colossal machines stands shoulder to shoulder, their curves gleaming under pale light. Here water becomes electricity, and electricity becomes possibility. Every hum and vibration promises more than lightbulbs — it promises progress, industry, and connection.

Yet power trapped in a valley means little without wings to carry it. That’s why a transmission tower, sketched against the hills in another postcard, stands proud. The caption reads: 230 kV Balu Chaung–Rangoon Transmission Line.” From here, electricity travels across mountains and plains, a journey of hundreds of miles, racing toward the capital.

And there, in the final card, we see the Rangoon Primary Substation. Steel lattice towers and lines stretch against the sky, while a stark white building anchors it all. This is where the river’s energy, born in Shan hills, finally arrives to light the streets of Rangoon, to power trams, radios, and homes.

Together, these postcards tell not just of dams, pipes, and wires, but of a story: a river transformed into power, and power transformed into hope. The Balu Chaung project was not easy — it was carved from jungle and rock, built amid political storms, and demanded knowledge the country was only beginning to acquire. Yet it stood, and still stands, as one of the great achievements of Myanmar’s post-independence years.

Each card is a memory, a fragment of that moment when water met steel, and a nation lit its own path forward.

Thursday, 11 September 2025

Souvenir Sheet on Myanmar Endemic Birds

For August 2025, it has reissued the sheetlet from the Myanmar Endemic Birds series, originally released in 2022 and 2023. The new issue, dated 20 August 2025, completes the series of nine stamps, each depicting an endangered bird species native to Myanmar.

The colors of the reissue show slight variations from the originals. Even in the 2025 reissue sheet, two colour variations have been identified. Neither matches the brightness of the 2022–2023 issue; instead, the reissue appears in two forms—a dull version and an even duller version. A comparison of the three colour variations is shown below. A total of 30,000 sheetlets have been printed, each comprising nine 200-kyat stamps, giving a face value of 1,800 kyats per sheetlet


Due to a tilt in the perforation comb, one row of perforations has shifted, altering the stamp dimensions. In the example below, the first row is tilted, producing stamps measuring 42 × 31 mm, while the second row measures 42 × 29 mm. The third row remains at the correct size of 42 × 30 mm.


Separately, a team from the Myanmar Philatelic Society, including me, had prepared a souvenir sheet on the bird series in an effort to present an improved layout. Although this design was submitted to Myanmar Post in May 2025, it was noted that the official design as shown above had already been forwarded to Wazi Security Printing Works for production, as the sheetlet series had been planned well in advance of May.

Friday, 15 August 2025

THAILAND 2025 Asian International Stamp Exhibition

The THAILAND 2025 Asian International Stamp Exhibition was held at the Grand Postal Building, Bangkok, Thailand. It was organized by the Philatelic Association of Thailand under the Patronage of H.R.H. Princess Maha Chakri Sirindhorn, together with Thailand Post Co., Ltd., and under the patronage of FIAP.

Myanmar participated in the exhibition with remarkable achievements. Notably, the Gold Medal awarded marked the first-ever gold medal in Myanmar’s philatelic history for my book Postage Rates of Burma (Myanmar) 1937-2024. The Burma StaMPS journal Volume 3 also received a Large Silver Medal—its highest award to date. 


My 8-frame picture postcard exhibit titled "People of Burma and Their Lifestyles" won the Large Vermeil medal, and the new stationery exhibit titled "Postal Stationery Envelopes of Burma (Myanmar) 1988 - Present" won the Large Silver medal award in this exhibition. In addition, the Myanmar Philatelic Society presented a lacquerware painting as a special prize.

On 11 August, at 10:00 AM, U Toe Kyaw Kyar attended the FIAP Executive Committee meeting as an observer, followed by representing Myanmar at the 24th FIAP Congress at 11:30 AM on the same day.

The exhibition concluded successfully, leaving participants and visitors with lasting joy and fond memories.

Thursday, 24 July 2025

Puzzling Reissue: Myanmar Post’s 2022 Tiger Stamps Return as 2024 Sheetlet

On 20 July 2024, Myanmar Post reissued the three tiger-themed stamps—originally released on 5 September 2022—as a new sheetlet. Despite being a reissue, the design remains completely unchanged, even bearing the dates of 2022 as in the previous issue stamp. This decision has raised eyebrows among collectors.

Unlike previous reissued sheetlets, which typically compile stamps from different release dates, this one includes all three stamps that were initially issued together on the same day. Reissuing them as a unified sheetlet without any design updates or date modifications makes this release rather puzzling.

Another notable difference is in the print quality: the color of the reissued stamps appears noticeably faded compared to the original 2022 versions. A total of 30,000 sheetlets were printed, each comprising three 200-kyat stamps, making the face value of one sheetlet 600 kyats.

Collectors may find this release curious both for its unchanged design and its subtle variations—raising questions about the motivation and strategy behind this reissue.