Tuesday, 23 September 2025

Postcard Story : The Story of Balu Chaung told Through Postcards

Once upon a time, in the mountains of southern Shan State, a river called Balu Chaung tumbled down the valleys with restless force. For centuries, its waters carved rocks, fed rice fields, and carried songs of the forest. Then, in the 1950s, engineers arrived with a dream: to turn that tumbling water into light for an entire nation.

The first postcard shows Balu Chaung No. 2 Power Station, tucked at the foot of a steep, green mountainside. From the crest above, silver pipes snake down like shining ribs of a giant, carrying water with enormous force. At the base, the station waits — turbines inside ready to spin, to roar, to turn falling water into power. This was where Burma stepped into a new age of electricity.

Not far upstream, another postcard captures the intake weir. Calm waters are corralled behind concrete gates, channeled with purpose. People stand on the bridge above, looking down at the rushing flow. It is here the river is persuaded, not conquered — asked to lend its strength to the city far away.


But nature is unpredictable, and the water’s force could never be fully tamed. That is why the engineers built the surge tank and low-pressure pipeline, rising like a sentry against the blue sky. The tall cylinder absorbs shocks when the river surges, while the great pipeline stretches on, a dark artery carrying life to the station below.

Step inside, and another postcard reveals the heart of it all: the generator room. A row of colossal machines stands shoulder to shoulder, their curves gleaming under pale light. Here water becomes electricity, and electricity becomes possibility. Every hum and vibration promises more than lightbulbs — it promises progress, industry, and connection.

Yet power trapped in a valley means little without wings to carry it. That’s why a transmission tower, sketched against the hills in another postcard, stands proud. The caption reads: 230 kV Balu Chaung–Rangoon Transmission Line.” From here, electricity travels across mountains and plains, a journey of hundreds of miles, racing toward the capital.

And there, in the final card, we see the Rangoon Primary Substation. Steel lattice towers and lines stretch against the sky, while a stark white building anchors it all. This is where the river’s energy, born in Shan hills, finally arrives to light the streets of Rangoon, to power trams, radios, and homes.

Together, these postcards tell not just of dams, pipes, and wires, but of a story: a river transformed into power, and power transformed into hope. The Balu Chaung project was not easy — it was carved from jungle and rock, built amid political storms, and demanded knowledge the country was only beginning to acquire. Yet it stood, and still stands, as one of the great achievements of Myanmar’s post-independence years.

Each card is a memory, a fragment of that moment when water met steel, and a nation lit its own path forward.

Thursday, 11 September 2025

Souvenir Sheet on Myanmar Endemic Birds

For August 2025, it has reissued the sheetlet from the Myanmar Endemic Birds series, originally released in 2022 and 2023. The new issue, dated 20 August 2025, completes the series of nine stamps, each depicting an endangered bird species native to Myanmar.

The colors of the reissue show slight variations from the originals. Even in the 2025 reissue sheet, two colour variations have been identified. Neither matches the brightness of the 2022–2023 issue; instead, the reissue appears in two forms—a dull version and an even duller version. A comparison of the three colour variations is shown below. A total of 30,000 sheetlets have been printed, each comprising nine 200-kyat stamps, giving a face value of 1,800 kyats per sheetlet


Due to a tilt in the perforation comb, one row of perforations has shifted, altering the stamp dimensions. In the example below, the first row is tilted, producing stamps measuring 42 × 31 mm, while the second row measures 42 × 29 mm. The third row remains at the correct size of 42 × 30 mm.


Separately, a team from the Myanmar Philatelic Society, including me, had prepared a souvenir sheet on the bird series in an effort to present an improved layout. Although this design was submitted to Myanmar Post in May 2025, it was noted that the official design as shown above had already been forwarded to Wazi Security Printing Works for production, as the sheetlet series had been planned well in advance of May.

Friday, 15 August 2025

THAILAND 2025 Asian International Stamp Exhibition

The THAILAND 2025 Asian International Stamp Exhibition was held at the Grand Postal Building, Bangkok, Thailand. It was organized by the Philatelic Association of Thailand under the Patronage of H.R.H. Princess Maha Chakri Sirindhorn, together with Thailand Post Co., Ltd., and under the patronage of FIAP.

Myanmar participated in the exhibition with remarkable achievements. Notably, the Gold Medal awarded marked the first-ever gold medal in Myanmar’s philatelic history for my book Postage Rates of Burma (Myanmar) 1937-2024. The Burma StaMPS journal Volume 3 also received a Large Silver Medal—its highest award to date. 


My 8-frame picture postcard exhibit titled "People of Burma and Their Lifestyles" won the Large Vermeil medal, and the new stationery exhibit titled "Postal Stationery Envelopes of Burma (Myanmar) 1988 - Present" won the Large Silver medal award in this exhibition. In addition, the Myanmar Philatelic Society presented a lacquerware painting as a special prize.

On 11 August, at 10:00 AM, U Toe Kyaw Kyar attended the FIAP Executive Committee meeting as an observer, followed by representing Myanmar at the 24th FIAP Congress at 11:30 AM on the same day.

The exhibition concluded successfully, leaving participants and visitors with lasting joy and fond memories.

Thursday, 24 July 2025

Puzzling Reissue: Myanmar Post’s 2022 Tiger Stamps Return as 2024 Sheetlet

On 20 July 2024, Myanmar Post reissued the three tiger-themed stamps—originally released on 5 September 2022—as a new sheetlet. Despite being a reissue, the design remains completely unchanged, even bearing the dates of 2022 as in the previous issue stamp. This decision has raised eyebrows among collectors.

Unlike previous reissued sheetlets, which typically compile stamps from different release dates, this one includes all three stamps that were initially issued together on the same day. Reissuing them as a unified sheetlet without any design updates or date modifications makes this release rather puzzling.

Another notable difference is in the print quality: the color of the reissued stamps appears noticeably faded compared to the original 2022 versions. A total of 30,000 sheetlets were printed, each comprising three 200-kyat stamps, making the face value of one sheetlet 600 kyats.

Collectors may find this release curious both for its unchanged design and its subtle variations—raising questions about the motivation and strategy behind this reissue.

Tuesday, 24 June 2025

Myanmar Post Reissues Third Stamp Sheetlet on Costumes of Six Eras

As anticipated, Myanmar Post continues its monthly stamp releases. For June, it has reissued the sheetlet from the costume series originally released in 2021 and 2022, with the new issue dated 20 June 2025. The complete series comprises 12 stamps across six issues, each depicting male and female costumes from six historical eras: Pyu Costumes, Bagan Costumes, Ava Costumes, Konbaung Costumes, Amarapura Costumes, and Yatanabon Costumes.


In this reissue, the stamp designs have been refreshed. The layouts differ from the previous versions, with noticeable changes in the size and arrangement of country names, denominations, text elements, and the vignettes themselves. The sheetlet measures approximately 152 mm x 216 mm (6 x 8.5 inches) and has a total print run of 30,000 sheets.

Compared with the original issue, the size of the main graphic elements has changed. The country name also differs in size and font. These changes are shown in the comparison image below. In addition, the colour varies from that of the original issue.

There are unconfirmed reports suggesting that unsold sheets from post offices have been recalled by Myanmar Post for redistribution to ASEAN countries. However, this information has not been officially verified.

Tuesday, 6 May 2025

Myanmar Post Reissues Second Stamp Sheetlet on 10 Arts Series

Just one week after releasing the first sheetlet, Myanmar Post has issued a second reprint—this time featuring the Myanmar Traditional Arts stamp series originally released in 2020. This move suggests that additional sheets from other popular series, such as Endemic Birds, Costume Series, and Butterflies of Myanmar Series, may also be reissued soon. Collectors will have to wait and see what comes next.

The original Myanmar Traditional Arts series began with the Panbe stamp (The Art of Blacksmithing) issued on 24 July 2020, and concluded with the Panyun stamp (The Art of Making Lacquerware) on 18 December 2020. In this new sheet format, the stamps are arranged in their original release order—five stamps on the top row and five on the bottom. The sheet’s margin is labelled “10 Traditional Art Forms of Myanmar”.

Untrimmed sheet with Mandalay GPO First Day Cancellation (U Sein Min)

However, the reissued sheet has drawn criticism. It is sold untrimmed, with a large blank margin beneath the stamps. The full sheet measures 9 x 7 inches (approx. 229 x 178 mm), and the excess blank area is large enough to accommodate another two rows of stamps. This forced collectors to manually trim the sheets using paper cutters or knives to mount them on covers for first day usages—resulting in inconsistent sheet sizes on different covers. No official first day cover (FDC) was issued for this release.

A total of 50,000 sheets were printed, with each pack containing 50 sheets. The official date of issue is 5 May 2025. Due to the oversized format, collectors have resorted to using larger cacheted envelopes, which may exceed the size allowed by standard postal regulations.

Collectors have also noted that the printing quality appears lower than that of the original 2020 stamps. Additionally, two distinct types of perforations have been observed: rough and sharp, adding further variation for specialists to examine.

The first day cancellation was rather messy. It attempted to squeeze illustrations of all ten traditional art forms into a single circular design by dividing it into ten equal segments. This approach resulted in a cluttered appearance. A similar design was used for the 12 Seasonal Festivals and Flowers sheetlet issued last month—this time with 12 segments, making the cancellation even more crowded and difficult to discern.

I have identified a color error involving missing cyan ink. This issue affects the right four stamps on the sheet, while the rest of the sheet appears normal. The image below shows a side-by-side comparison of the standard stamps and the error stamps.

My comparative study reveals that the new 2025 reissue is not a direct reprint of the original 2020 version but a redesigned mock-up. Unlike the 2020 stamps, which featured smaller text and a larger central image, the 2025 version displays enlarged text and a reduced main image. Additionally, the shadow effect in the title of the art, present in the original design, has been removed. The illustration below highlights these differences.




Monday, 5 May 2025

From the Arakan to the Album: Bhanbhagta Gurung on Royal Mail's WWII Stamp Issue

Royal Mail issued a set of ten stamps on 1 May 2025 to mark the 80th anniversary of the end of the Second World War, celebrating the heroic efforts of individuals who served during the conflict. Among them is a stamp featuring Bhanbhagta Gurung, who served with the Gurkhas in Burma.


Sergeant Bhanbhagta Gurung (1921–2008), born in Nepal, served with distinction in Burma during the Second World War. He joined the Gurkha Rifles in 1940 and was part of Operation Longcloth in 1943, the first long-range mission deep into Japanese-occupied Burma. In 1945, during fierce fighting near Tamandu, he displayed extraordinary bravery in clearing enemy positions under fire—a feat for which he was awarded the Victoria Cross. His heroic actions in Burma remain one of the most celebrated examples of Gurkha valour in the campaign. In recognition of his courage, the Gurkha training block at Catterick Camp in Yorkshire was named in his honour in 2000.


Royal Mail also released a collector’s sheet, featuring tabs alongside the stamps that depict images highlighting their roles. The tab accompanying the stamp of Bhanbhagta Gurung includes a map of operations during the Arakan Campaign in Burma. Similarly, the tab with the stamp honouring Mahinder Singh Pujji features an image of a fighter aircraft returning from a sortie over the Arakan.



Both the stamp featuring Bhanbhagta Gurung and the complete collector’s sheet make meaningful and attractive additions to any Burma-themed philatelic collection. The technical details about the stamp are as below.


Stamp format: Landscape
Stamp size: 37mm x 35mm
Design: Supple Studio
Stamps per Sheet: 50
Printer: Cartor Security Printers
Print process: Lithography
Perforations: 14 x 14.5
Phosphor: Bars as appropriate
Gum: PVA