Tuesday, 23 September 2025

Postcard Story : The Story of Balu Chaung told Through Postcards

Once upon a time, in the mountains of southern Shan State, a river called Balu Chaung tumbled down the valleys with restless force. For centuries, its waters carved rocks, fed rice fields, and carried songs of the forest. Then, in the 1950s, engineers arrived with a dream: to turn that tumbling water into light for an entire nation.

The first postcard shows Balu Chaung No. 2 Power Station, tucked at the foot of a steep, green mountainside. From the crest above, silver pipes snake down like shining ribs of a giant, carrying water with enormous force. At the base, the station waits — turbines inside ready to spin, to roar, to turn falling water into power. This was where Burma stepped into a new age of electricity.

Not far upstream, another postcard captures the intake weir. Calm waters are corralled behind concrete gates, channeled with purpose. People stand on the bridge above, looking down at the rushing flow. It is here the river is persuaded, not conquered — asked to lend its strength to the city far away.


But nature is unpredictable, and the water’s force could never be fully tamed. That is why the engineers built the surge tank and low-pressure pipeline, rising like a sentry against the blue sky. The tall cylinder absorbs shocks when the river surges, while the great pipeline stretches on, a dark artery carrying life to the station below.

Step inside, and another postcard reveals the heart of it all: the generator room. A row of colossal machines stands shoulder to shoulder, their curves gleaming under pale light. Here water becomes electricity, and electricity becomes possibility. Every hum and vibration promises more than lightbulbs — it promises progress, industry, and connection.

Yet power trapped in a valley means little without wings to carry it. That’s why a transmission tower, sketched against the hills in another postcard, stands proud. The caption reads: 230 kV Balu Chaung–Rangoon Transmission Line.” From here, electricity travels across mountains and plains, a journey of hundreds of miles, racing toward the capital.

And there, in the final card, we see the Rangoon Primary Substation. Steel lattice towers and lines stretch against the sky, while a stark white building anchors it all. This is where the river’s energy, born in Shan hills, finally arrives to light the streets of Rangoon, to power trams, radios, and homes.

Together, these postcards tell not just of dams, pipes, and wires, but of a story: a river transformed into power, and power transformed into hope. The Balu Chaung project was not easy — it was carved from jungle and rock, built amid political storms, and demanded knowledge the country was only beginning to acquire. Yet it stood, and still stands, as one of the great achievements of Myanmar’s post-independence years.

Each card is a memory, a fragment of that moment when water met steel, and a nation lit its own path forward.

Thursday, 11 September 2025

Souvenir Sheet on Myanmar Endemic Birds

For August 2025, it has reissued the sheetlet from the Myanmar Endemic Birds series, originally released in 2022 and 2023. The new issue, dated 20 August 2025, completes the series of nine stamps, each depicting an endangered bird species native to Myanmar.

The colors of the reissue show slight variations from the originals. Even in the 2025 reissue sheet, two colour variations have been identified. Neither matches the brightness of the 2022–2023 issue; instead, the reissue appears in two forms—a dull version and an even duller version. A comparison of the three colour variations is shown below. A total of 30,000 sheetlets have been printed, each comprising nine 200-kyat stamps, giving a face value of 1,800 kyats per sheetlet


Due to a tilt in the perforation comb, one row of perforations has shifted, altering the stamp dimensions. In the example below, the first row is tilted, producing stamps measuring 42 × 31 mm, while the second row measures 42 × 29 mm. The third row remains at the correct size of 42 × 30 mm.


Separately, a team from the Myanmar Philatelic Society, including me, had prepared a souvenir sheet on the bird series in an effort to present an improved layout. Although this design was submitted to Myanmar Post in May 2025, it was noted that the official design as shown above had already been forwarded to Wazi Security Printing Works for production, as the sheetlet series had been planned well in advance of May.