In the early 1960s, cultural exchange between the Soviet Union and Asia found expression not only in exhibitions and publications, but also in beautifully produced picture postcards. One such result was a scarce postcard set titled “Burma Arts”, issued by the Soviet publisher “Soviet Artists”.
The set comprises 10 postcards, offered at a retail price of 22 kopecks, and was designed by L. Snegirev. Each postcard measures 10.5 × 14.5 cm, and the set was issued in 1964. With a modest print run of just 5,000 sets, it was clearly intended for a limited audience of art lovers and collectors rather than mass circulation.
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| Wrapper of the postcard set |
The postcards reproduce a carefully curated selection of Burmese artistic works, representing both traditional crafts and modern fine art:
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Fragment of an embossed chasing pattern on a silver bowl from Sagaing, early 19th century
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Fragment of lacquer painting on a betel nut box made by craftsmen from Pagan, 20th century
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Buddha image in canonical pose, bronze, 19th century
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Elephant at work, wood sculpture, 20th century
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Ceremonial departure, miniature ivory sculpture, 20th century
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Fragment of a pattern on fabric, 20th century
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Watercolour “At the Pagoda” by U Lar Ban, c. 1950s
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Watercolour “Village Scene” by U Ba San, c. 1950s
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Watercolour “The Lake” by U Ba San, c. 1950s
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Oil painting “On the Pier” by U Ngwe Gaing, 20th century
Significantly, this postcard set represents the first Soviet issue devoted entirely to artistic examples from Burma, covering a wide range of art forms that developed across different historical periods. Today, the “Burma Arts” postcard set stands as a small but meaningful testament to early international recognition of Burmese artistic heritage—and a fascinating crossover item for collectors of postcards, art history, and Burma-related material alike.


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